Your bass sound could use some more character - how about a...sample of a toilet flushing? Using granular synthesis, filters, and other sound design tools, everyday sounds can be sculpted into textures that enhance your music. In a new tutorial, Ableton Certified Trainer Vespers demonstrates how to create these textures, using the Granulator II by Monolake for Max for Live, and Live 9's effects:
Vespers has also made a selection of foley samples for granular sound design available as a free download from his site.
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As one of the founders of Ableton, Robert is no stranger to creating new tools for electronic music production and performance. Creating the ultimate customized granular synthesizer has been a labor of love for Robert for more than a decade. Enter the Granulator: a granular synthesis-based sample playback instrument. What is Granular Synthesis. Ableton live 120 KB One of the most popular Max for Live devices, Robert Henke’s impressive Monolake Granulator has been updated for Live 9. Transform any sound with this versatile instrument. Granulator II is a Max4Live synthesizer based on the principle of quasi-synchronous granular synthesis. Ableton produces and distributes the production and performance program Ableton Live as well as a collection of related instruments and sample libraries. Website M4L Granulator II.
An amazing device for creating your own textures, pads, and atmospheres, the Monolake Granulator II uses granular synthesis to create a constant stream of short crossfading samples from a source sound. The size, behavior, modulation, envelope, and other properties of the short samples can be tweaked via the Granulator’s controls. Watch Monolake Granulator II creator Robert Henke demonstrate how to use this instrument to create a lush pad from the sample of a clanging glass:
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For a more in-depth overview of the Monolake Granulator II from Robert, please see this article.